Conversations exploring architecture, art, and design.

Before Noor Al Suwaidi began the commission for Safra, she spent three weeks living in the unfinished building. The work she made is a direct result of that time. We think that shows.

There is a specific quality of light that hits the Diriyah site in the late afternoon. Every material decision for that building was made with that hour in mind.

Everything built today is designed to be replaced. We think that is the wrong starting point. A case for making things that are meant to outlast the people who commissioned them.